Bibliography

Selected Reviews & Articles | 1920 – 1929

“Modern Artists Show Work at Provincetown,” The New York Times, July 10, 1927, p. X9.

Selected Reviews & Articles | 1930 – 1939

Harris, Ruth Green. "'Les Americans' in Paris," The New York Times, February 28, 1932, pg. X10.

Sauvage, Noel.  “An Admirer’s View of Provence.”  The New York Times, March 24, 1935, pg. BR9.

Jewell, Edward Alden.  "Still-life Studies of Carlsen Shown," (Biala at Georgette Passedoit) The New York Times, April 26, 1935, pg. 17.

“Provence with Pen and Paint,” (Biala at Georgette Passedoit) The New York Sun, May 2, 1935.

Devree, Howard.  "Gallery Melange: A Reviewer's Week," (Biala at Georgette Passadoit) The New York Times, May 5, 1935, pg. X7.

Devree, Howard.  "A Reviewer's Notebook," The New York Times, February 28, 1937, pg. 172.

M.D.  “Biala: A Gay Tapestry,” ArtNews, March 13, 1937.

Selected Reviews & Articles | 1940 – 1944

"Art in Brief," (Janice Biala at Bignou) The New York Times, January 14, 1942, p. 17.

Jewell, Edward Alden.  "Romantics: New Shows Reflect A Tendency (Janice Biala at Bignou),” The New York Times January 18, 1942, p. X9.

Kruse, A.Z. “At the Art Galleries: Janice Biala at Bignou,” The Brooklyn Eagle, Sunday, January 18, 1942, p. 5.

Jewell, Edward Alden.  “Shows Aid Relief Work: Benefit Exhibition for the Red Cross and French Group—More Books on Art,” The New York Times (June, 21, 1942).

Jewell, Edward Alden. "With Accent on Modernism: Museum of Modern Art Presents 'Realists and Magic Realists' of America–Contemporary French Painters and Others." The New York Times (New York), February 14, 1943.

“Biala Art Shown,” Minneapolis Sunday Tribune, Sunday, October 31, 1943, G19.

"9 Group Displays on Week's Art List," (Janice Biala at Bignou) The New York Times (October 30, 1944), p. 13.

(Janice Biala at Bignou) The New York Sun, November 4, 1944.

Jewell, Edward Alden.  "'Modern’ Art Again," (Janice Biala at Bignou) The New York Times (November 5, 1944), X8.

Selected Reviews & Articles | 1945 – 1949

Devree, Howard.  "A Reviewer's Notes: New Exhibitions," (Group Show at Bertha Schaefer) The New York Times (April 29, 1945), p. X5.

Coates, Robert M.  “The Art World,” (The Art Galleries) The New Yorker Magazine (February 23, 1946), p. 62.

"Varied Art Shows due at Galleries," (Janice Biala at Bignou) The New York Times (April 21, 1947), p. 27.

Jewell, Edward Alden.  "Blakelock Honored; Whitney Centennial Exhibition Confirms His Fame-Latin-Americans Others," (Janice Biala at Bignou) The New York Times (April 27, 1947), p. X10.

(Janice Biala at Bignou) The New York Sun, April 28, 1947.

“Les Galeries: Janice Biala at Jeanne Bucher,” La Bataille, June 23, 1949.

“Les Galeries: Janies Biala at Jeanne Bucher,” Arts, June 24, 1949.

Listing. "Calendrier des Expositions: Biala at Jeanne Bucher." Le Figaro (Paris, France), June 25, 1949.

G.M. "Tour d'expositions: Biala at Jeanne Bucher." Combat (Paris, France), June 29, 1949.

Listing. "Calendrier des galeries: Biala at Jeanne Bucher." Les Lettres Françaises (Paris, France), June 30, 1949.

"Art Exhibitions in Paris," (Janice Biala at Jeanne Bucher) New York Herald Tribune, July 1, 1949.

“La Derniere Selection du Prix de la Critique,” Arts, July 1, 1949.

"Du Salon des Surindépendants au faubourg St.-Honoré." Libération (Paris, France), October 21, 1949, p. 4.

“Du Salon des Surindépendants faubourg St. Honoré,” Liberation, October 21, 1949, p. 4.

“Le Salon des Surindépendants,” Aux Ecoutes, October 21, 1949.

“Prix de la Critique a Andrew minaux un ‘Poulain’ de l’Union des Arts Libres,” L’Officiel de l’Ambeublement and de la Decoration, October 23, 1949.

Kunstter, Charles.  “Les arts.”  Opera, October 26, 1949.

Lassaigne, Jacques.  “La Peinture de Demain.”  La Bataille, October 27, 1949.

Lassaigne, Jacques.  “Il Faut se Battre pour l’Art Vivant.”  Combat, December 17–18, 1949.

P. D.  “Janice Biala at Galerie Jeanne Bucher.”  Arts, July 1, 1949.

Devoluy, John.  “Art News in Paris: Janice Biala.”  Herald Tribune, July 1, 1949.

Listing.  "Art Exhibitions in Paris." (Janice Biala at Jeanne Bucher), Herald Tribune, July 1, 1949.

“Le Prix de la Critique est décerné au peintre André Minaux.”  Le Figaro, July 2, 1949.

“Le Prix de la Critique au peintre André Minaux.”  Epoque, July 2, 1949.

“Le Prix de la Critique a André Ninaux.”  Libération, July 2, 1949.

Dornand, Guy.  “André Minaux lauréat du Prix de la Critique.”  Libération, July 7, 1949.

Descargar, Pierre.  “Remise mouvementee de Prix de La Critique a André Minaux.”  Arts, July 8, 1949.

“Prix de la Critique.”  New York Herald Tribune, July 8, 1949.

Lassaigne, Jacques.  Exhibition review.  La Batailli, July 14, 1949.

“Biala at Galerie Jeanne Bucher.”  Art News and Review Guide, July 17, 1949.

Bauret, J.   “Le Choix de la Critique.”  Arts, July 22, 1949 (illustration: “Le Violoncelliste”).

“Irreguliers.”  Combat, September 21, 1949.

Orinall(?), R.  “Penture en faue le Paint?”  L’Age Nouveau, September 1949.

Estienne, Charles.  “Au Salon des Surindépendants.”  Combat, October 18, 1949.

Selected Reviews & Articles | 1950 – 1954

Mosellan.  “Buffet, Lorjou, Minaux, Biala: Galerie Saint-Placide,”  Opéra, January 4, 1950.

"This week's crop of exhibitions in New York musuems and galleries..." (Biala at Carstairs Gallery) February 6, 1950, p. 20.

Preston, Stuart.  "From Old to Modern; Troumpe l'Oeil Paintings-Biala's Recent Work." February 12, 1950, p. 97.

“Janice Biala at Carstairs Gallery.”  New York Herald Tribune, February 19, 1950.

“Galeries d’Été.”  Combat, August 19, 1950.

Descargues, Piere.  “Le 17 Salon des Surindépendants.”  Arts, October 27, 1950.

Descargues, René.  “...Biala dont le paysage est une perfetion de douceur passionnee.”  Arts, 27 October 1950.

Dubreuil, Christian.  “Paris et son Salon des Surindépendants.”  Le Matin, November 4, 1950.

Boudaille, Georges.  “Peintres contemporains.”  Arts, March 16, 1951, p. 5.

G.B. “Janice Biala at Galerie Jeanne Bucher.”  Arts, April 13, 1951.

“D’Une Exposition a L’Autre.”  L’Intransigeant, April 27, 1951.

“Romantiques ou Classiques.” L’Observateur, no. 57, May 10, 1951.

Lassaigne, Jacques.  “Salon de Mai.”  Arts, May 11, 1951.

Morestier.  “Salon de Mai.”  Combat, May 15, 1951.

Martinie, A.H. “Le Salon de Mai au Musée d’art moderne.”  Le Parisien Libéré, May 17, 1951.

Courtehion, Pierre.  “Les expositions.”  Documents, issue no. 9, June 1951, p. 6, 7.

Art-Documents, Geneve, July–August, 1951.

Barotte, Rene.  “A la galerie Charpentier: Triomphe de legueult dan ‘Formes et couleurs.’”  L’Intransigeant, July 11, 1951.

"New Prints Offered in Linen and Cotton," The New York Times, October 16, 1951, pg. 37.

Domergue, René.  “Au Salon des Surindépendants…”  L’Information, November 3, 1951.

Estienne, Charles.  “Salons, Salons…”  L’Observateur, November 8, 1951, no. 78, p. 21.

Weelan, Guy.  “Janice Biala.” Publication unknown, Paris, 1952.

Boudaille, Georges.  “Peintres Contemporains.”  Publication unknown, March 1952.

“Art and Artists: Group Show at Galerie Jeanne Bucher.”  New York Herald Tribune-Paris, March 1, 1952.

“Au VIII Salon des Artistes Indépendants de Pacardie.”  Le Courrier Picard, April 19, 1952.

Kunezi, André.  “Rythmes et Couleurs au Musée des Beaux-Arts de Lausanne.”  Gazette de Lausanne, June 28, 1952.

Berger, René.  Article.  Arts, July 16, 1952.

“Autour du Prix de la Critique.”  Liberation, July 24, 1952.

D.A.  “Janice Biala at Stable Gallery.”  Art Digest, May 1, 1953 (illustration).

Preston, Stuart.  "Portrait to Abstract," (Biala at Stable Gallery) The New York Times, May 3, 1953, pg. X8.

E.G.  “Compare French, U.S. Painters.”  New York Herald Tribune, October 18, 1953.

“La Vie astristique a Paris.”  Art-Documents, Geneve, November 1953.

Huyghe, R.  “La Peinture Moderne.”  Monde Nouveau Paru, March 1954.

P.D.  “A travers les Galleries Parisiennes.”  Publication unknown, June 1954.

“Nouvelles de Paris.”  Vogue (Paris Edition), June 1954, p. 40.

“Biala at Galerie Jeanne Bucher.”  L’Information-Paris, Wednesday, June 11, 1954.

Crespelle, J. P.  “Biala decrit le drame des courses de taureaux.”  Journal du Dimw… June 13, 1954.

A.H. “Dans les Galeries: Biala at Jeanne Bucher.”  Le Parisien Libéré, June 16, 1954.

Estienne, Charles.  “…les paysages recents de Biala…” L’Observateur, June 17, 1954, no. 214.

M.C.L.  “A Travers Les Galeries: Biala at Jeanne Bucher.”  Le Monde, June 25, 1954.

“Tour de Paris: Biala at Jeanne Bucher.” Arts, June 23–29, 1954.

“Biala at Galerie Bucher.”  Les Letters Françaises, July 1, 1954.

Watt, Alexander.  “Paris Commentary.”  The Sudio, September 1954, vol. 148, no. 738, p 91.

“Au Long des Cimaises.”  L’Information, October 1, 1954.

Selected Reviews & Articles | 1955 – 1959

Devree, Howard.  "About Art and Artists: Canvases by Biala Compete at Galleries," The New York Times, April 7, 1955, p. 30.

“Abstract Impressions,” (Janice Biala at Stable) The New York Tribune, April 16, 1955.

Devree, Howard.  “Painting Round-Up: Whitney Museum Opens Its Big Annual Of Contemporary Work.” The New York Times, Sunday, November 13, 1955, p. 14X.

S.P.  “500 Years of Work by Women Paint Covered in Delius Gallery Display.”  The New York Times, December 3, 1955.

Lerrenat, J. J.  “La Salle des Peinture Parisien.”  Le Progres, December 23, 1955.

Portner, Leslie Judd.  “Watkins Gallery, New Approaches to the Figure in Contemporary Painting.” The Washington Post and Times Herald, Sunday, March 11, 1956, p. E8.

Hagen, Y.  “Biala at Jeanne Bucher Gallery.”  New York Herald Tribune-Paris, April 30, 1956.

Munro, Eleanor C.  “Biala Paints a Picture.”  ArtNews, April 1956, vol. 55, no. 2, pp. 32–35, 91.

Crespelle, J. P.  “Avec 200 peintres seulement, le Salon de Mai sera la manifestation artistique la plus importante de l’annee.”  France-Soir, May 4, 1956.

“Les Expositions.”  Carrefour, October 29, 1956.

Martinie, A. H.  “Peintres Américains Vivants.”  Le Parisien Libere, January 31, 1957.

Elgar, Frank.  “Les Américains a Paris.”  Carrefour, February 6, 1957.

Ashton, Dore.  “Art: At the Bullfight, Work of Janice Biala at Stable Gallery.” The New York Times, October 8, 1957, p.18.

Courtois, Michel.  “Gouaches et Aquarelles.”  Arts, November 6, 1957.

“Au Long des Cimaises…” L’Information, November 16, 1957.

Devree, Howard. “Art:Tripartite Exhibition at Stable Gallery.”  The New York Times, Friday, December 6, 1957.

G.  “Au Long Des Cimaises…”  L’Information, January 18, 1958.

Elgar, Frank.  “Retour a la Peinture.”  Carrefour, Paris, January 22, 1958.

J.B.  “A Travers Les Galeries: Retour a Peinture.”  Paris Journal, January 23, 1958.

Descargues, Pierre.  “A Travers Les Galeries: Retour A La Peinture.” Les Letters Françaises, January 23–29, 1958.

“Vernissage à la galerie A.”  Liberte, January 24, 1958.

T.M.  “Les Galeries: Retour a La Peinture.”  January 29–February 4, 1958.

“A la Galerie A.”  La Montagne, February 14, 1958.

“A la Galerie A.”  Liberte, February 20, 1958.

Hagen, Yvonne.  “Art and Artists: Biala at Jeanne Bucher Gallery.”  New York Herald Tribune-Paris, April 30, 1958.

Elgar, Frank.  “Peinture d’Abord!  Biala at Jeanne Bucher.”  Les Arts, May 7, 1958.

Barotte, René.  “Biala, Peintre Dynamique.”  L’Intransigeant (Journal des Arts), May 7, 1958.

“Biala at Galerie Jeanne Bucher.” Les Lettres Françaises, May 8–14, 1958. (illustration: “Perroquet”)

“Biala at Galerie Jeanne Bucher.”  L’Information, May 10, 1958.

M.C.L.  “A Travers Les Galeries.”  Le Monde, May 23, 1958.

R.V.G.  “Peintures et Collages de Biala.”  Les Beaux-Arts (Bruxelles), Wednesday, May 23, 1958, p. 14.

H.H. “Groupe De Peintres.”Journal de L’Amateur d’Art, June 10, 1958.

Illustration of “Perroquet en blanc”, La Plata, Sunday, June 22, 1958.

Delloye, Charles., “Cinq expositions américaines à Paris: Janice Biala.” Au Jour d’Hui, July 1958, p. 25.

Gonzalez, Maria Rosa.  “La Pagina para Luego: Janice Biala.”  Las Ultimas Noticias, Sunday, August 17, 1958.

Gonzalez, Maria Rosa.  “Correspondencias: Janice Biala.”  Las Ultimas Noticias, Sunday, September 6, 1958, p. 14.

Barotte, René.  “L’Ecole de Paris.”  Dimanche, October 26, 1958.

S.B.  “Les Expositions: Un Groupe de Peintres.”  Arts, October 29, 1958.

R.B.  “A La Gaerie Charpentier.”  Plaisir de France, November 1958.

Gallejo, Julian.  “Cronica de Paris: Un Centenar de Franceses.”  Goya, January–February 1959.

Ashton, Dore.  "Cape Cod Activity: Art and Artists Thrive at Provincetown," The New York Times, August 20, 1959, p. X10.

"Galleries Cross-Country: Provincetown, MA," ARTnews, vol58, no6 (October 1959), p48.

Ashton, Dore.  “Art: New Acquisitions.” (Janice Biala at Stable Gallery) The New York Times, October 30, 1959, p. 34.

Libby, Margaret Sherwood.  “Laughter and Jollity in Picture Storybooks From Far and Near.”  New York Herald Tribune Book Review, November 1, 1959, section 12, p. 3.

Martinie, A.H.  “Les Surindépendants.”  Le Parisien Libéré, November 6, 1959.

Burckhardt, Edith.  “November cross-selections: Biala.”  Art News, November 1959, vol. 58, no. 7, pp. 42 & 69.

Selected Reviews & Articles | 1960 – 1964

Buell, Ellen Lewis.  “Clowder of Cats: Minette.”  The New York Times Book Review, January 24, 1960, p. 38.

Val.  “Aria di Parigi in Montenapo.”  L’Informatore Moderno, February 14, 1960 (illustration: “Civette”).

F.E.  “Constantes de la Peinture.”  Carrefour, April 6, 1960.

Gindertael, R.V.  ““Retrospective de l’Activite Entre 1925 et 1960 de la Galerie Jeanne Bucher.” Les Beaux-Arts, May 20, 1960.

Wilkinson, Sarah.  “Abstractions Dominate French Show.”  Jerusalem Post, October 25, 1960.

“Kiállitások: A francia festészet napjainkban.”  Uj Kelet-Tel-Aviv.  October 25, 1960.

Farhi, Jean.  “Tendances diverses ais une vision unique.”  Information d’Israel-Tel Aviv, November 1960.

Arts, November 9–15, 1960.

Ashbery, John.  “École de Paris.”  New York Herald Tribune-Paris, November 12–13, 1960, p. 10.

Civis, Euro.  “École de Paris 1960.”  Journal de la Corse, November 19, 1960.

Barotte, René.  “L’Ecole de Paris 1960 est, dans l’ensemble,abstraite.”  Sud-Ouest, Bordeaux, November 29, 1960. 

Farhl, Jean.  Masques & Visages, December 1960.

Baigneres, Claude.  “A la recherche picturale de la sensibilité du XX siècle.”  Le Figaro, June 28, 1961.

Ashbery, John.  “Formes et Couleurs at Galerie Charpentier.”  New York Herald Tribune-Paris, July 19, 1961.

“Biala.” Pour l’Art, July 1961, October 1961.  (illustration: Black & White photo of Biala).

Vallier, Dora.  “Biala.”  Pour l’Art, July 1961, p. 40–43 (illustration: “L’Arbre Rouge”).

Elgar, Frank.  “Offensive Contre l’Art Abstrait.”  Le Parisien Libere, July 5, 1961.

Espiau, Marcel.  “La Peinture.”  Nouveaux Jours, July 7, 1961.

Mornand, Pierre.  “Formes et Couleurs: Galerie Charpentier.”  La Revue Moderne, August 1, 1961.

Vallier, Dora.  “Biala.”  Pour L’Art.  October 1961, pp. 40–43.

“Paintings by Janice Biala.”  The Minnesota Review.  Vol. 2, Spring 1962.  p. 208 (8 illustrations).

“Biala at Galerie Point Cardinal.”  The New York Herald Tribune, Paris, April 25, 1962. 

“Biala at Point Cardinal.”  L’Expreses, April 26, 1962.

“Biala et Berthon au Point Cardinal,’  L’Intransigeant, April 26, 1962.

J.M. “Biala at Galerie Le Point Cardinal.”  Le Monde, April 27, 1962, p. 9.

Boullier, Renee.  “Trois expositions: Biala at Galerie Le Point Cardinal.”  Aux Ecoutes, April 27, 1962.

Rey, Y.D.  “Biala at Le Point Cardinal.”  Le Jardin des Arts, May 1962.

F.E.  “Biala at Galerie Le Point Cardinal.”  Carrefour, May 3, 1962.

“Biala.”  Le Figaro, May 10, 1962.

“Biala at Galerie du point Cardinal.” Les Letters Françaises, May 17, 1962.

Ronnen, Meir.  “Outstanding Exhibitions on Show in Capital.”  The Jerusalem Post, Friday, June 1, 1962.

“Les expositions des peintres americains Karl KASTEN, BIALA, BRUSTLEIN et des estampages

d’Angkor…”  Ouest France, June 21, 1962.

“Les Expositions du Musée Merveilles des bas-reliefs d’Angkor et Art moderne d’Amérique.”  Ouest France, June 27, 1962, p. 11.

“Expositions et salons.”  Preuves, July 1962.

Crespelle, J.P.  “Une révélation à la Galerie Charpentier.”  Journal du Dimanche, July 8, 1951.

Ronnen, Meir.  “Biala.”  The Jerusalem Post, Friday, July 13, 1962, p. IV, V (illustration: “Still Life”)

Tal, Mariam.  “Exposition de Biala a la Galerie ‘Rina’.”  Haboker, July 13, 1962.

D.C.  “Peintres a Two Cities (Galerie Mistral).”  Aujourd’Hui Art et Architecture, November 1962.

Beck, James H.  “3 Star Shows For 1963: Janice Biala (Stable Gallery).”  Art News, January 1963, vol. 61, no. 9, p.38, 60.

Ashton, Dore. “Biala at Stable Gallery,” Arts & Architecture, March 1963, Vol. 80, no. 3.

Selected Reviews & Articles | 1965 – 1969

Bouret, Jean.  “La Chronique de Jean Bouret.” Les Lettres Françaises, Sunday, December 2–8, 1965.

“Biala et Brustlein.”  Chefs d’Oeuvre de l’Art, Hachette #143 (1965), p. 111.

“Nombreuses Expositions en Suisse Romande.”  Tribune de Lausanne, March 18, 1966.

Weelen, Guy.  “Grounds et Jeune d’Aujourd Hui.” Les Lettres Françaises, October 23–November 17, 1966, p. 25.

F.E.  “Réalites spirituelles et Réalites nouvelles.”  Carrefour, October 12, 1966.

Pillement, George.  “Art, folie et réalités nouvelles.”  Revue de Pairs, November 1966.

Ashbery, John.  “American Sanctuary in Paris.”  Art News Annual, October 1966, pp. 84–95

(illustration in color: “The Mediterranean,” 1966).

“Le Gemmail.”  L’Espoir Centre, Éclair, December 24, 1966.

“Expositions.”  Nouvelles Littéraires, January 5, 1967.

“Soixante-quinze peintres américains contemporains conforntent leur extrême diversité.”  Arts, January 30–February 5, 1967.

“Groupe 67: la peinture américain.”  Le Courrier Picard, May 5, 1967.

Aliquot, Hervé, and Bernard Lasseigne.  “Les Expostions.”  Le Méridion-La France, Marsille, May 23, 1967.

Barotte, René.  “Janice Biala est devenue peintre grace a Porthos…” L’ Intransigeant, Paris, May 30, 1967, p. 5B.

F.E.  “Expositions: Biala at Galerie Jacob.”  Carrefour, May 31, 1967.

J.D.  “Biala at Galerie Jacob.”  Nouvelles Littéraires, June 1, 1967.

R. B. “Les Expositions.”  L’Intransigeant, June 1, 1967.

Bouret, Jean.  “La Chronique de Jean Bouret: Samedi.” Les Lettres Françaises, June 1–7, 1967.

Bouret, Jean.  “La Chronique de Jean Bouret: Lundi.” Les Lettres Françaises, June 8–14, 1967.

F.E.  “Renouveau au Salon “Comparaisons.”  Carrefour, April 10, 1968.

Plaisir de France.  “De la peinture avant toute choses.” August 1968, p. 60.

F.E.  “Le Salon Des Realites Nouvelles.”  Carrefour, March 13, 1969.

“Galeries.”  Les Lettres Françaises, April 30, 1969.

Selected Reviews & Articles | 1970 – 1979

“La peinture moderne aux Etats-Unis.”  Le Médecin de Campagne, June 1970.

“Le prix Paul Louis Weiller remis au peintre Jean Marzelle par M. Jacques Duhamel.”  Les Depeches, February 4, 1971.

Baron, Jeanine.  “Le prix Paul-Louis Weiller.”  La Croix, February 15, 1971.

“Actualites Artistiques: Prix de Portrait.”  Jours de France, March 23, 1971.

J.C.  “Art from the Chase Manhattan Bank Collection.”  New York Magazine, October 4, 1971.

“Six Peintres Américains au Palais des Arts.”  La Liberté du Morbihan, April 19, 1972.

“Six Peintres Américains.”  La Nouvelle Republique, February 20, 1972.

Derfner, Phyllis.  “Color, Light and Image.”  Art International, March/April 1976, vol. 20, no. 3–4, pp. 7–13.

Kramer, Hilton.  “Hirshhorn Shows Artist-Immigrants.”  The New York Times, Thursday, June 10, 1976, p. 46.

E.A.  “Cuatro pintores de Paris.”  Blanco y Negro. Madrid, December 11, 1976.

“Biala at Livingstone-Learmonth.”  Arts Magazine, vol. 51, no.8, April 1977, p. 43.

Kramer, Hilton.  “Biala at Livingstone-Learmonth.”  The New York Times, January 14, 1977, p. C14.

Kramer, Hilton.  "Biala at Gruenebaum." The New York Times, (Weekend Section) Friday, May 19, 1978, p. C15.

Selected Reviews & Articles | 1980 – 1989

Kramer, Hilton.  “Biala at Gruenebaum.” The New York Times, Friday, October 30, 1981, C22.

Frank, Elizabeth.  “Biala at Gruenebaum.” Art in America, January 1982, p.141.

Raynor, Vivien.  “Biala.” The New York Times, (Weekend Section), June 3, 1983.

Brenson, Michael. “In the Arts: Critics’ Choices (Gruenebaum Gallery),” The New York Times, September 25, 1983, A2.

Russell, John.  “Biala at Gruenebaum.” The New York Times, October 11, 1985, C31.

Weelen, Guy.  “Biala.”  Sofresid Information, no. 31, 1986, pp. 53–60.

Brisset, Pierre.  “Biala at Galerie Jacob.” L’Oeil, January–February 1988, no. 390–391, p. 93.

Weelen, Guy.  “La Prefecture Expose: le F.R.A.C. ile de France.” Journal de l’Exposition, November 1988.

Brenson, Michael.  “Three Who Were Warned by the City of Light.” The New York Times, (Arts and Leisure)

June 25, 1989, p.31–32.

Brenson, Michael. “The Year’s Best; More / On Art,“The New York Times, December 24, 1989, Section 2, p. 37.

Selected Reviews & Articles | 1990 – 1999

Maillet, Edda.  “Biala.”  Le Petit Bonhomme, January 19, 1990 (illustration: “Deux Roses”).

“Biala at The Kouros Gallery.”  Tableau Magazine, April 1990, p.72–73 (illustration: "Open Window").

Brenson, Michael.  “Biala at Kouros Gallery.”  The New York Times, April 6, 1990, C31.

“Biala at Louis Newman Galleries.”  Art&Antiques, February 1991.

Stretch, Bonnie Barrett.  “Biala at Kouros.”  Art News, September 1996, vol. 95, no. 8, p. 132–133.

Cover Illustration.  P. N. Review, vol. 26, no. 1, September–October 1999.

Selected Reviews & Articles | 2000 – 2004

Smith, Roberta.  “Biala, 97, Whose Paintings Were Cryptic and Luscious.”  The New York Times (Obituary), October

12, 2000, A27.

Dannatt, Adrian.  "Janice Biala."  The Independent (The Thursday Review, November 30, 2000).

Cash, Stephanie.  "Obituaries."  Art in America (October 2002).

Obituary.  "Janice Brustlein."  Ford Madox Ford Society, Newsletter 7 (December 14, 2000).

Smith, Roberta. “Biala and David [sic] Brustlein.”  The New York Times, (Weekend Section), February 2, 2001, E37.

Brenson, Michael. “Joan Mitchell; a vintage encounter.”  The New York Times, Sunday, June 30, 2002, Section 2, p. 2.

"Double Dutch.” The Riverdale Press, Thursday, January 15, 2004, p. B7 (illustration).

“Artwork of Biala & Brustlein exhibited.” Riverdale Review, January 15–22, 2004, p. 20.

Selected Reviews & Articles | 2005 – 2009

Nathan, Jean.  "A Life Less Ordinary." Vogue (January 2006), pp. 132–137, 164.

Art Listing. Weekend Calendar. The New York Sun, January 6, 2006, p. 10 (two illustrations).

Naves, Mario.  "Biala's Brush." (Tibor de Nagy) New York Observer, January 23, 2006, p. 16.

Libaire, Jardine.  "New York on $10 a day," (Tibor de Nagy) New York Magazine, January 23–30, 2006, p. 52.

"Object Lessons." The Art Newspaper (no. 166) February 2006.

Smith, Roberta.  "Biala: Selected Paintings." The New York Times, Friday, February 3, 2006, E37.

Rubinstein, Raphael.  "Biala's Fragmented Interiors." Art in America (May 2006), pp. 173–175.

Smith, Roberta. “Seaworthy: A Nautical Selection from Milton to Mermaids,” The New York Times, January 26, 2007.

Genocchio, Benjamin.  "In Context: Collage + Abstraction." (Pavel Zoubok Gallery) The New York Times, Friday, July 27, 2007.

Naves, Mario.  "The New York School's Left Bank Campus." (Tibor de Nagy) New York Observer, August 6, 2007.

Mullarkey, Maureen.  "In Paris, Freedom From Pressure." (Tibor de Nagy) The New York Sun, Thursday, August 9, 2007.

Butler, Sharon. “Postwar occupation: American painters in Paris,” twocoatsofpaint.com, August 9, 2007.

Goodrich, John.  “Bohemian Rhapsody.” (Tibor de Nagy) The New York Sun, December 13, 2007.

Butler, Sharon. “Janice Biala retrospective at Tibor de Nagy,” twocoatsofpaint.com, Decmeber 13, 2007.

Rubinstein, Raphael. “Americans in Paris: Abstract Painting in the Fifties (Tibor de Nagy).” Art in America, November 2007.

Smith, Roberta. “I Belong Where My Easel Is (Tibor de Nagy).” The New York Times, December 28, 2007.
Smith, Roberta. “Art Listing (Biala at Tibor).” The New York Times, January 4, 2008.

Smith, Roberta. “Offering a Painter for History’s Reconsideration (Doris Lee at D. Wigmore,” The New York Times, April 7, 2008.

Andrew, Jason. “Ford + Biala: A Fateful Meeting.” P.N. Review, 182 34, no. 6, July–August 2008, 28-32.

Schwabsky, Barry. “In Conversation with Joan Waltemath.” The Brooklyn Rail, November, 2009, 35.

Selected Reviews & Articles | 2010 – Present

Cotter, Holland. “A Poet’s Circle (Poets House).” The New York Times, July 26, 2012, C24.
Naves, Mario. “Hurly-burly Intimism: The Art of Janice Biala.” TooMuchArt.blog, October 7, 2012.

Hurst, Howard. “How to Be a Lady Painter,” Hyperallergic.com, October 9, 2012.

Micchelli, Thomas. “City of Women (To be a Lady at 1285 Avenue of the Americas Art Gallery).” Hyperallergic.com,

October 12, 2012.
Smith, Roberta. “Interior (Tibor de Nagy).” The New York Times, March 29, 2013, C24.

Listings. “Interior (Tibor de Nagy).” The New York Times, April 5, 2013, C22.

Greenwald, Xico. “The Courage of Her Convictions (Biala at Queens College Museum).” The New York Sun,

September 17, 2013.

Librizzi, Jane. “La Masion de Biala.” The Blue Lanter (blog), January 26, 2018.

Smith, Roberta. “ADAA: A Fair to Remember Starts a Month of Art show Madness,” The New York Times, March 1, 2018, C19.

Gauss, Daniel. “ADAA’s The Art Show at The Park Avenue Armory,” The Wall Street Journal, March 15, 2018.

Exhibition Catalogues

Godwin-Ternbach Museum, Queens College, CUNY, Flushing, NY. Biala: Vision and Memory, essay by Diane Kelder, 2013. 

Tibor de Nagy Gallery, New York, NY. Biala: I belong where my easel is…, essay by Mary Gordon, 2007.

Georgia Museum of Art, Athens, GA. Suitcase Paintings: Small Scale Abstract Expressionism, essay by April Kingsley, 2007.

Pavel Zoubok Gallery, New York, NY.  In Context: Collage + Abstraction, essay by Robert Hobbs, 2007.

Tibor de Nagy Gallery, New York, NY.  Americans in Paris: Abstract Paintings in the Fifties, essay by Isabelle Dervaux, 2007.

Nassau County Museum of Art, Roslyn Harbor, NY.  Picasso and the School of Paris, 2006.

Tibor de Nagy Gallery, New York, NY.  Biala: Selected Paintings, 2006.

Thomas McCormick Gallery, Chicago, IL.  Abstract Expressionism: Second to None, 2006.

Musée de Pontoise, Pontosie, France.  Natures Mortes du XX Siecle, 1997.

Kouros Gallery, New York, NY.  Biala: Five Decade, essay by Michael Brenson, 1996.

Sala Pares, Barcelona, Spain.  Janice Biala and Daniel Brustlein. 1992.

Patio de l’Hôtel de Ville et Galerie, Georges Pompidou, France.  Taureaux en Tête, 1992.

Kouros Gallery, New York, NY.  Biala, essay by Diane Kelder, 1990.

Musée  de Pontoise, Pontosie, France.  Janice Biala 1980–1990, 1990.

Neilly Hôtel de Ville, France.  Artmoshpere VII, 1990.

Musée Ingres, Montauban, France.  Permanence du Visage, introduction by Paul Duchein, 1988.

Gruenebaum Gallery, New York, NY.  Tenth Anniversary Exhibition of Major Paintings, Drawings and Sculpture, 1983.

Musée des Arts Decoratifs, Paris, France.  La Famille des Portraits, 1980.

Galería Ponce, Madrid, Spain.  4 Pintores de Paris en Galería Ponce, 1976.

Union des Femmes Peintres et Sculpteurs, Musée  d’Art Moderne, Paris, France. Femmes Peintres et Sculpteurs, 1975.

Parc Floral de Vincennes, Paris, France.  Salon des Réalités Nouvelles, 1971.

Paris, France.  Salon des Réalités Nouvelles, 1969.

Paris, France.  Salon des Réalités Nouvelles, 1969.

Salles Wilson, Paris, France. Salon IX: Grands et Jeunes D’Aujourd’hui, 1968.

France.  USA: Groupe 67, group exhibition touring France, 1967.

Musée des Augustins, Toulouse, France. USA Arte Vivant, 1966.

American Cultural Center, Berlin, Germany. 10 Americains de Paris, 1966.

Salon de Montrouge, France. Art Contemporain: Hommage a Marquet, 1966.

New School Art Center, New York, NY. Portraits from the American Art World, 1965.

Kunsthalle Basel, Switzerland. La Peau de l’Ours, 1964.

The Art Center, New School for Social Research, New York, NY.  Landscape in Recent American Painting, 1963.

Whitney Museum of American Art, New York, NY.  Annual Exhibition of Contemporary American Painting, 1961.

Galerie Charpentier, Paris, France.  Formes et Couleurs, 1961.

Whitney Museum of American Art, New York, NY. Annual Exhibition of Contemporary American Painting, 1959. 

Association des Musées d’Israel: Musée de Tel-Aviv; Musée  National ‘Bezalel’, Jerusalem; Musée de l’Art Monderne, Haifa. La Peinture Francaise d’Aujourd’hui, 1960/61.

Whitney Museum of American Art, New York, NY. Catalogue of the Collection: Whitney Museum of American Art 1914–1960, 1960.

Paris, France.  Les Surindépendants, introduction by Pierre Albert-Birot, 1960.

Galerie Charpentier, Paris, France.  École de Paris, 1958.

Musée Galerie, Paris, France.  Peintres Americains Contemporains, introduction by Henry Billings, 1957.

Musée Cantonal des Beaux-Arts, Lausanne, France.  Le Mouvement dans l’Art Contemporain, 1955.

Paris, France.  Catalogue Salon de Mai April 9–May 19, 1952, 1952.

The Corcoran Gallery of Art, Washington, D.C.  Twentieth Biennial Exhibition, 1947.

City Art Museum, St. Louis, MO.  American Painting: 39th Annual Exhibition, introduction by Charles Nagel, Jr., 1946.

Whitney Museum of American Art, New York, NY.  Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, 1946.

City Art Museum, St. Louis, MO.  American Painting: 37th Annual Exhibition, introduction by Charles Nagel, Jr., 1944.

Parc des Expositions, Porte de Versailles, Paris, France. 1940, 1932.

Publications

Modern Artist in America.  New York: Wittenborn Schultz, Inc. (1950).

Weelen, Guy.  J. Biala.  Collection: Artistes de ce Temps. (Paris: Presses Litteraires De France, December 12, 1952).

Ford, Ford Madox.  Buckshee.  Pym-Randall Press, Cambridge, MA (1966).

Mizener, Arthur.  The Saddest Story: A Biography of Ford Madox Ford.  New York / Cleveland: World Wide Publishing (1971).

Stang, Sondra J.  The Presence of Ford Madox Ford.  Philadelphia: University of Pennsylvania Press (1981).

Herbst, Josephine.  The Starched Blue Sky of Spain.  New York: Harper Collins (1991).

Saunders, Max.  Ford Madox Ford: A Dual Life. London: Oxford University Press (1996).

Saunders, Max. Ford Madox Ford (Critical Lives). Reaktion Books (2023).

Herskovic, Marika.  Abstract Expressionists: Artists Choice by Artists.  NJ: New York School Press (2000), pp. 32, 36, 62,65, (illus. 63, 64).

Stevens, Mark and Annalyn Swan.  de Kooning: An American Master.  New York: Alfred A. Knopf (2004), pp. 155, 177, 179, 196, 197, 213, 225, 236.

Wiesenfarth, Joseph.  Ford Madox Ford and the Regiment of Women. Wisconsin: The University of Wisconsin Press (2005).

Marter, Joan M. Marter and Gwen F. Chanzit. The Women of Abstract Expressionism. New Haven: Yale University Press (2016), p.165.

Gabriel, Mary.  Ninth Street Women. New York: Little Brown and Co. (2018), pp. 5, 104, 134, 311, 857n7. 

Published Books Written by Janice Biala

It’s Spring, It’s Spring.  Story by Janice Biala, illustrated by Alain.  (New York: Whittlesey House, 1956).

Minette. Story by Janice Biala, illustrated by Alain. 32pp. (New York: Whittlesey House, 1960).

Little Bear's Christmas. Story by Janice Biala, illustrated by Marian F. Curtiss (New York: Lothrop, Lee & Shepard Company, 1964).

Little Bear's Thanksgiving. Story by Janice Biala, illustrated by Marian F. Curtiss (New York: Lothrop, Lee & Shepard Company, 1967).

Little Bear Learns to Read the Cookbook.  Story by Janice Biala, illustrated by Mariana. (New York: Lothrop, Lee & Shepard Company, 1969).

Little Bear Marches in the St. Patrick's Day Parade. Story by Janice Biala, illustrated by Marian F. Curtiss (New York: Lothrop, Lee & Shepard Company).

Little Bear's Pancake Party. Story by Janice Biala, illustrated by Marian F. Curtiss (New York: Lothrop, Lee & Shepard Company).

Little Bear's New Year's Eve Party. Story by Janice Biala, illustrated by Marian F. Curtiss (New York: Lothrop, Lee & Shepard Company, 1973).

Illustrated Books by Janice Biala

Ford, Ford Madox.  Provence: from minstrels to the machine. Philadelphia ; London J.B. Lippincott Co. (1935).

Ford, Ford Madox.  The Great Trade Route London: Oxford (1937).